I've never really put much thought into your self-titled argument. Recommended Tracks: Oh Well Oh Well, Happy Endings Are Stories That Haven't Ended Yet, Priceless & Call Me Hopeless But Not Romantic. It may not quite reach the status of the band’s debut LP, nor will it win any awards for originality or innovation, but once you realize the objective of ‘Mayday Parade’ and the techniques which the band will inevitably use to achieve their goals, then it can be enjoyed for what it is… A crowd-pleasing winner. Above all, this self-titled LP is as consistent an album as you are likely to hear this year, since there is not one piece of filler evident. It is also a musically accomplished release, with proficient drums often being mixed to the fore, and impressive guitars regularly spearheading passages. Promisingly, this is more a sign of improved song-craft which gives this album greater replay value than its predecessor ‘Anywhere But Here’. While the choruses here are all made for being easily recited en masse, they are strangely not as instantly infectious as some of the band’s past work.
It is all then capped off brilliantly by near-epic closer ‘Happy Endings are Stories That Haven’t Ended Yet’, which brings every piece of the puzzle together in glorious fashion. In fact, the cohesiveness of this LP is undeniably one of its strengths, with acoustic outros leading into acoustic intros, seamless thematical connections between neighboring tracks and wise song placement in terms of both quality and diversity. Also assisting in this regard is the ever-improving vocals of Sanders, who does a nice job of combining power and emotion throughout, especially on the soaring ‘Call Me Hopeless, But Not Romantic’.Įlsewhere, the quintet’s pop-punk roots are rediscovered on catchy up-tempo rockers such as ‘Priceless’ and ‘A Shot Across the Bow’, while flourishes of acoustic guitar, keys and strings make frequent appearances in a manner which is anything but haphazard. As with all other tracks here, the lyrics will not have supreme wordsmiths shaking in their boots, but they are relatable to their target audience, while containing a remarkable fluidity which enhances their natural feel. Even if they don’t quite dig as deep as the band’s seminal piece ‘Miserable At Best’. Of course, it would not be a Mayday Parade album without a heartfelt ballad or three, and fans are sure to be pleased with the likes of ‘Stay’, ‘Everything’s An Illusion’ and ‘Without the Bitter, The Sweet Isn’t As Sweet’. This latter device is used to good effect in approximately half the tracks here (courtesy of a rotation policy between drummer Jake Bundrick and bass player Jeremy Lenzo), with second single ‘When You See My Friends’ sure to have many listeners doing a double-take to see if Jason Lancaster has returned to the band.
Successor ‘No Heroes Allowed’ then throws in a fully formed guitar solo and some dual vocals. Once the predictable is accepted, it can be fully enjoyed for its effectiveness… As can the subsequent catchy chorus, “woh woh” filled bridge and melodic gang vocal outro. We all know it, since the chances of a Mayday Parade release beginning with a genuine ballad is about as likely as them using blast beats.
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Beginning slowly with piano, strings and Derek Sanders’ lovelorn vocals, it is just a matter of time until the full band kicks in. One need look no further as to the extent to which the band will go than on opener and lead single ‘Oh Well, Oh Well’. While the link to Mayday Parade’s self-titled third LP may initially seem tenuous, it pays not to get too distracted by the fact that the Floridian quintet use every device imaginable to accomplish their aspiration… Which, in this case, is the delivery of an album which can realistically lay claim to approaching the quality of the outfit’s much-loved debut ‘A Lesson In Romantics’. The moral of the advice was that the more time you waste worrying over whether or not your mind is being messed with, is less time you can spend controlling – and enjoying – the important things yourself. One such statement went along the lines of “efficiently realizing when you are being played and swiftly adapting”.
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On a recent episode of reality television series ‘Survivor’, an experienced contestant privately laid out his keys to successfully playing the game. Review Summary: Using every device imaginable to come up with a crowd-pleasing winner.
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